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Member since 02/2005

May 04, 2005

The Heretik Remembers the Boy from Diamond Drive

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Jeffrey Glenn Miller, 20, of 22 Diamond Drive, Plainsview, L.I died at Kent State thirty five years ago  May 4, 1970.  He was killed by a single bullet to the mouth, a bullet shot from the gun of an Ohio State National Guard soldier.  That bullet killed a boy and his hopes, but brought a nation to life, to remember what hope is.  Hope must survive rage.  I remember now the boy from Diamond Drive.

Just off Manetto Hill Road, Diamond Drive runs right alongside the Northern State Parkway and in sight of the Long Island Expressway.  Jeffrey Miller, a graduate of a Plainview high school never came back to his Diamond Drive. 

Jeffrey lived down the block from the Schiffmans, around the corner from the Brickmans and the Schettinis. He looked west for his chance to see Manhattan, the place of Long Island dreams, just a road away.  When he woke up on the morning of May 4, 1970 at Kent State he could not have known he would end up on a far different road. I remember now the boy who never grows old.  I remember now the boy from Diamond Drive

My town had two high schools then, one new, the other not so old, rivals in all things trivial.  That day students from both schools counted Jeffrey Miller as their own.  Jeffrey Miller belonged to his parents, to these students and their age.  He belongs now to the ages.  When Jeffrey Miller fell, he stepped up out of time, the time measured by mere clocks.  He forever belongs to a different time.  And the students who gathered at the high schools on the fields looking west over the Hempstead Plains on May 4, 1970 knew what time that was.  It was time to rage, and somehow hang onto hope.  They came to remember the boy from Diamond Drive.

My father Charles Mattingly was a member of the school board of Plainview Old Bethpage, Central School District Number 4.  Jeffrey Miller’s mom worked for the school district in Plainview, his dad worked on lynotype for the New York Times. The school board met that day to discuss that day’s events and what it might mean. 

What mean times those were.  Rage on all sides might defeat hope for all.  My father came home.  He shook his head and said some things could not be done.  I remember the way he angled his head.  He just looked away, his hands on the kitchen counter, the veins rising on the back of his hands, his fingers  resting on the kitchen counter like a piano he couldn’t play.  He said it again.  Some things could not be done. Neither my father nor his thirteen year old son could believe what had been done, me more loudly than him, until his gaze told me silently, but loudly to shut up. I remember now that loud silence, how it fell between me and my father.  I remember now the boy who would never grow to be a man.  I remember that boy from Diamond Drive.

Candles were lit that night with the hope small candles have.  Hope is a flicker in a candle, an ever wavering flame in the heart.   The next day many high school students walked out.  My father raged. He believed in education and its importance.  He was of an age where routine was a way through tragedy.  To break routine, to stop education would be to let tragedy seep in and in a small way win.  In education was hope. The students would need the teachers, he said.  They would need their teachers that day more than ever.  My father would not believe the students would leave class.  My father could not believe some students would show up only to leave.
Those students left in order to remember.  Together, yet each in their own way, these students would not forget what rages in the heart and might kill hope, the strength of those still young.  The students would remember the boy from Diamond Drive.

All these years later I remember now the boy from Diamond Drive, Jeffery Miller who grew up along the Northern State Parkway, in sight of the LIE overpass over Manetto Hill Road.  Jeffery Miller would have taken Manetto Hill Road to get to his high school, a high school in a town where students graduate with hopes.  I see hope now on Manetto Hill as I remember the boy from Diamond Drive

My old high school rests now on Manetto Hill, on a rise above the Hempstead Plains.  On a clear day you can see the Manhattan skyline distant, a place for Jeffery Miller a far road, a far hope away, now and always. I can never forget the boy never to be a man from Diamond Drive. 
 

April 20, 2005

Break the Chain

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April 10, 2005

FROM GUNS A SIGN OF PEACE: Celebrate Africa

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A SIGN OF PEACE AND HOPE
Sunday has always been my day of hope.

I take a lot of strength from Jeanne at Body and Soul.  Truly the body of her work is infused with so much soul it bursts forth like these sun rays beyond these rifles made over into signs of peace.  A Tree of Peace!  May it grow, may we find its fruit, and share that fruit.  That fruit only, the kind of kindness, not hate.  The fruit of friendship, of amity, not enmity.

FROM JEANNE @BODY AND SOUL: This year, as part of a celebration of African culture in Britain, Christian Aid and the British Museum commissioned the half-ton sculpture pictured at the top of this post, which is made entirely of  machine guns, pistols and grenade launchers, which were exchanged for implements of peace. The British Museum is also sending a throne made of weapons on tour around Britain.

I wish I lived in Britain, so I could see the Tree of Life, but just reading about the project leaves me awe-struck. To take weapons that could provoke new cycles of violence out of a society, give people scarred by war opportunities for new lives -- not just the acquisition of tools: some of the people working for TAIT are former child soldiers;  one of the project's artists teaches art to street children in Maputo -- and from that to create art that makes such a strong statement about the waste of war and violence is one of the most creative acts for peace I've ever heard of.

Tokoudagba
THE BBC AND BRITISH MUSEUM CELEBRATE AFRICA. 
Why not you?
  Africa 05 is the biggest celebration of African culture ever organised in Britain. Between February and October a huge range of organisations from national museums to community centres will be hosting events that will celebrate the best African and diasporic arts.

Margaret Busby, Writer
'We are all Africans. Africa was the birthplace of civilisation, the continent where human society and technology had its beginnings...'

Aminatta Forna, Writer
'Let us now celebrate what we have done for the world. Picasso reached the end of his life before he admitted the enormous influence of African sculpture on his work...'

Here are some links to ponder over and return to:

Knowing Africa  Africa Re-Mix  Africa Oye

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